The new cover of The Economist 2019.

It has already become a tradition of this blog to analyze this magazine's schedule for each new year.

So I'm keeping up the tradition by having fun researching the latest version, The Economist's cover for 2019, which looks like this:

 

 

What is distinctive about this edition is the mirrored texts. I can't read them all, but next to the English bulldog it says “Brexit”so one can guess that next year will be significant in terms of a possible UK exit from the EU.

 

The second theme that will be important is chips and identification as indicated by as many as two images. The first is a stork holding a bundle in its beak by default with a baby in it. On the bundle is barcodewhich is cause for concern. It's hard to judge at this stage what their plans are, but they will probably want to mark newborns. They may be given an identification number right away.

At the center is a human being with another behind him.

One holds a scale with two groups of people in his left hand and a tennis ball in the other. He has the hashtag Me too on his chest.

Perhaps a division of people into Christians and the rest or some other division will be prepared. e.g. NWO and rebels. The man as if hiding behind it is holding marijuana in one hand and a QR code in the other. Frankly speaking, these codes are the most frightening.

A sort of DNA tattoo is placed on the other person's hand, and marijuana is placed in the hand.

Czyżby dwa rodzaje ludzi? Jedni z odmienionym DNA mający dostęp do uciech życia, ale ochipwani, a drudzy skazani na życie niczym w teorii ewolucji człowieka pierwotnego? Tak wskazują na to dwa rodzaje obrazków. Po prawej stronie obok skanera QR auto z napędem na prąd, a po drugiej ktoś a la “epoka kamienia łupanego” uwspółcześniony bo w okularach, przy starodawnej maszynie ręcznej… Podobny motyw był w teledysku nieżyjącego juz Avici. Dwie zadowolone dziewczyny i zacofani ludzie w biednym miasteczku. Jeśli tylko brak odstępu do technologii miałby być naszym cierpieniem to byłby to raj podczas WU.

 

There is sort of a graph superimposed on Trump. I don't know about you, but in my estimation it looks like he is being measured. As if the system he's definitely in wants to show that Trump is calculable and in control. Maybe you guys have other ideas.

On the other side another man just like Trump verified with a graph. These images remind me of the Nazi image of the man of the master race, the Aryan. Such people had to have the right features and background. According to the Nazis, Slavs did not fit into this image.

 

 

Behind Putin is Pinocchio, but this wood puppet has a birthmark, a pustule on the same side as Putin, which may indicate some Putin lies or plays.

 

Ale…. chyba najważniejszym motywem są… czterej jeźdźcy… Stricte apokaliptyczny znak.

Pierwsza od lewej śmierć, a z prawej król…. Czyżby nadejście człowieka bezprawia?

 

There's also a car on electricity. I don't know if that's any significant motive. Well, unless the voices of so-called sustainability speak up.

 

The moon and transmitter may indicate the placement of a satellite on the moon.

 

What did you realize from the cover of the previous year?

The previous cover indeed was largely referenced in the reality of 2018. The big emphasis of Jews, the big role of Trump, ecumenism and something I didn't understand at the time: the stamp of wifi, radio waves,. today we know it was the revelation of 5G to us.

 

The Eifel Tower symbolizing not so much France, but the riots in France.

The previous cover also featured a DNA chain.

There was a rain cloud symbolizing natural disasters. This could not have been the natural course of events. They must have planned it. It is one thing to have a natural progression of technology and another thing to have interference with the weather.

There was also a royal crown and there was actually a lot of talk about royalty.

 

I guess that's it when it comes to analyzing the latest cover of The Economist 2019. How it will be time will tell.